Reap Where You Did Not Sow: A Guide to Urban Foraging, Vol. 1 of 3, Autumn, by Nance Klehm
Why The Exhibit Was
Canceled, by [Artist]
"Why The Exhibit Was Canceled" is a collection of emailed correspondence that presents an account of how and why an artist canceled a one-person show at an American not-for-profit exhibition space. The booklet shows how artists can attempt to educate or challenge curators and exhibition organizers that prove to be insensitive, cowardly, or simply incompetent. It shows how artists can respond to the threat of censorship and unreasonable demands that attempt to exempt an institution of all liabilities. For those who have encountered institutional resistance in the past, and for those who expect that they will face similar problems in the future, "Why the Exhibit Was Canceled" should prove to be entertaining but familiar.
Monster Theater, by Harold Jefferies
Something Like a Phenomenon: Two Audio Projects by Brennan McGaffey, by Brett Bloom
The booklet is a critical analysis of two recent audio projects by Brennan McGaffey: FM89.5 and Project Citizen's Band. Both projects featured specially constructed audio tracks that were broadcast over the city's airwaves. The audio tracks were intended to modify the physical (FM89.5) and psychological (Project Citizen's Band) spaces of the listener. The first project was broadcast over a 20 watt FM transmitter and the latter over a boosted CB. Brennan's projects greatly expand the ways that audio art is usually received and thought about. His ways of working have implications well beyond the impact of these two projects.
Temporary Services By Request, by Salem Collo-Julin
Temporary Services by Request is a compilation of writings by Salem Collo-Julin. The selections are based on assignments given to Salem by the other members of Temporary Services. Subjects include the seminal punk band The Crucifucks, ducks, tornados, and their connection to the Lindbergh baby kidnapping, power struggles in cooperative groups, and legislation against scantily clad adults in public.
Easy to put up/take
down delineations of space for public (semi public) gatherings, groupings,
conversations and so on, designed by Lora Lode
The structure the device attaches to can be anywhere, already existing... the cloth or tarp or whatever material (in general) should be able to be used in multiple situations.